MGD @ Eco Art Fest

The Mobile Garden Dress, part of the Urban Foragers series, participated in the first Eco Art Fest in Toronto during the summer of 2014. This new outdoor festival situated at Todmorden Mills is presented by No 9 Contemporary Art and the Environment, an arts orga­ni­zation that uses art and design to bring awareness to envi­ron­mental concerns. It featured 8 public art installations hidden throughout the site, live music, homemade organic dishes, beer and wine. Plus Public Art tours, Watercolour Painting Workshops, Sustainable building workshops, and Clay Stein Making. The Mobile Garden Dress was on hand at all the events onsite and she also traveled around the city to the Brick Works Farmer’s Market, the Taste of the Danforth and to Queen Street. It’s been a busy summer for this Urban Nomad! The dress was worn by several models whom i met and trained at the beginning of the project. Special thanks to horticulturalists Deena Del Zotto, Rachel Kimel and Wendy Woodworth for growing and taking care of the plants!

Mobile Garden Dress roams the streets of Toronto

MGD on site near the stage at the Eco Art Fest

 

Ego Eco, environmental art for collective consciousness

The Ego Eco, environmental art for collective consciousness exhibition was curated by Allison Town and Emily Tyler for the Begovich Gallery at California State University Fullerton, which featured to work of 13 artists. I participated on a variety of levels during my 5 week residency there. During the first 2 weeks i completed the Traveling SeedBomb dress and assembled the Urban Foragers series and staged a public intervention which was filmed and shown along side the Traveling SeedBomb dress in the gallery. The 3 Urban Foragers were at the opening reception and i was also on hand to talk about my work at the opening preview earlier in the day. During the evening, Juliana Rico made seed bombs with the public, people signed adoption paper for Vaughn Bell‘s Pocket Biospheres and i was delighted to meet artist Esther Traugot and her delicately crocheted seeds. Here is an excerpt from the Curatorial Statement.

Disconnect between real actions and real-time becomes increasingly evident in our fast-paced, technologically saturated urban environments. Selected artworks in ego|eco: environmental art for collective consciousness aim to confront traditional notions of “spectatorship,” promoting involvement over complacency through the inclusion of engaged public art practices and environmental art conveying a collective call to action. Juxtapositions of mediums, content, scale, forced perspectives and changes in cadence and flow will encourage viewers to become both physically and psychologically aware of their own roles as “spectators”—symbolic of a greater need for action and social reform in the pursuit of sustainability.

A 100-page catalogue including a scholarly essay by CSUF Exhibition Design alumna and founder of ecoartspace.org, Patricia Watts will be published in early 2014. See more of the exhibition HERE.

Gallery entrance view with title wall, Traveling SeedBomb dress and dress form with vest and hat and Urban Forgers video beside it. Photo: M.O.Quinn

Emily Tyler, Nicole Dextras, Chris Barnhill and Allison Town. Photo: Eric Stoner.

Preview talk in the gallery. Photo: Eric Stoner.

Watering the Mobile Garden Dress. Photo: Eric Stoner.

Handing out Seed Money. Photo: Eric Stoner.

The Nomadik Harvest Dress. Photo: Eric Stoner.

The Mobile Garden Dress. Photo: Eric Stoner.

Agent SeedBomb and her Seed Money. Photo by Eric Stoner

Juliana Rico leads seed bomb making. Photo: Eric Stoner.

Urban Foragers in the gallery. Photo: Eric Stoner.

Urban Forages, a communal meal

The Urban Foragers got together for the first time as a group to share a communal meal made from the food sources they each carry in their self sufficient dresses. The Mobile Garden Dress, aka Madame Jardin, The Nomadik Harvest Dress, aka Miss Cornucopia and the new kid on the block, The Traveling SeedBomb Dress, aka Agent SeedBomb got together at California State University Fullerton for the Ego Eco exhibition at the Begovich Gallery. The day began with the dresses walking around campus and interacting with students about sustainable food practices and also promoting the exhibiton. They then settled into the courtyard in the Visual Arts Department where they set up camp for the day. Madame Jardin and Miss Cornucopia helped Agent SeedBomb set up her teepee and then they began preparing the meal. They traded foods to enhance each others recipes and each created a dish to be shared. The Mobile Garden Dress made a salad from the veggies in her over 40 potted plants hanging from her hoop skirt  and added pomegranate seeds from the NomadiK Harvest dress. The Harvest dress in turn borrowed fresh herbs from the Garden dress to add to the soup she made from the many vegetables harvested from the Fullerton Arboretum. She also made a tasty fruit salad topped with Coconut from the SeedBomb dress. As it was her first time making food, the SeedBomb dress prepare a simple dish of energy snacks by crushing nuts and seeds with a mortar and pestle and rolling them into balls. She also shared some of her fresh sprouts for the salad. After inviting friends to join them in their communal meal, they told stories while soaking their feet in the pool and then later retired, each to it’s own comfy little shelter to bed down for the night. The event was held beside  Richard Turner’s “Wall Gazing Gallery”, a open structure with a corrugated roof with water falling from it into a pool surrounded by peach coloured Bougainvillea trees.

The whole process was filmed and is now available to view here or click on the You Tube icon to watch in your browser.

The Urban Foragers camp

The Urban Foragers meet

Ms Cornucopia, Madame Jardin and Agent Seedbomb prepare a meal together

Soup, salad, energy balls and fruit salad

The soup was cooked on a portable camping stove

Delicious soup made from fresh vegetables and orange zest

Pomegranate in the Nomadik Harvest Dress

Hanging linens to dry at the camp

The Mobile Garden Dress and its pots of herbs and vegetables

Nomadik Harvest Dress as yurt shelter

The Seedbomb Teepee

Relaxing by the pool Urban Forager style: find some public art and stick our feet in.

The Foragers at sunset.

Madam Jardin in her skirt tent, getting ready for bed.

Ms Cornucopia asleep in her yurt skirt

Soon the stars will be out

Credits:
Agent Seedbomb: Alice Tokunaga
Ms Cornucopia: Andrea Harris-McGee
Madame Jardin: Megan Eras
Artist and photographer: Nicole Dextras
Videographer: Kirk Dickinson
Curators: Emily Tyler, Allison Town
Makeup: Dusty Germano
Support crew: Gaby Castillo, Marty Lorigan, Martha Rocha, Mark Uspon
Special Thanks to the Fullerton Arboretum Staff and Lou Arnwine

Agent SeedBomb

Agent SeedBomb is the name of the character who wears the Traveling SeedBomb Dress; an eco agent-provocateur with good humour and style, advocating for self-sufficiency through food independence and sustainable practices.

The dress houses 50 glass vials filled with enough seed to plant over an acre of vegetables, grains and herbs to feed a family for one year, which were purchased from the Sustainable Seed Company in California. In this role, Agent SeedBomb aims to inform viewers on the identification and preservation of seeds while also engaging the community in activities such as seed bomb making and sidewalk stenciling with grains. In addition to being and avid sprout grower, he or she prepares delicious protein snacks from recipes using mostly seeds and nuts.

This piece was developed for the Ego Eco exhibition at Cal State University in Fullerton California during the month of August 2013 and it was joined by its sister pieces for the first Urban Forager communal meal. The Foragers set up camp beside Richard Turner’s “Wall Gazing Gallery”, an environmental sculpture reminiscent of Asian shrines found along country roads and they prepared dishes with produce supplied by the adjacent Fullerton Arboretum. The dress was then installed in the Begovich Gallery for the duration of the exhibition. On opening night Agent SeedBomb, played by Alice Tokunaga  gave out Seed Money (seed embedded paper coins by Leafcutter Designs) to the public. I love their thoughtful designs and was very happy to incorporate it into the project.

View full Art Statement: The Traveling Seedbomb Art State

This dress is made for traveling and throwing seed bombs.

Agent SeedBomb holding handmade seed bombs before launching

Seed bombs in cone shaped pockets with a variety of seed pods

Making energy snacks

Protein balls made with coconut, cashews and cocoa grounded together with a motor and pestle

Hand washing in a clay bowl.

Camped out beside the “Wall Gazing Gallery” by Richard Turner

Plenty of room to curl up in the SeedBomb Teepee

Teepee top

Traveling SeedBomb Dress, the making of

The Traveling SeedBomb Dress is the third instalment in the Urban Foragers series. Like its predecessors, the Mobile Garden Dress and the Nomadik Harvest Dress, it functions as a garment, a shelter and a food source. As this series is about self-sufficiency, each new piece refers to a nomadic structure and for this one i chose the teepee because the shape resembles a Pine cone.  I am fascinated by the ingenious ways that plants propagate their seeds and so i have tried to incorporate this into the design as much as possible. There are cone shaped pockets all around the edge, which hold seed bombs, which were placed within easy reach of the wearer so they could be thrown while moving about.

The structure is based on a series of hinged cedar pieces, which when folded down make up the skirt and when extended they form the teepee shape. I have used metal bolts and wing nuts as a means to hinge and tighten the segments. My intent is to someday replace these with a more organic material but for now they at least only require a small screwdriver to assemble. The skirt is covered in heavy duct canvas hand painted with a dandelion motif, a symbol of highly effective plant survival and endurance. Our agent of propagation also wears a secondhand vest adorned with épaulettes of fresh Wheat Grass and a hat formed from a bamboo birdcage with birdseed.

I looked at many options for displaying the seeds and finally decided on the glass vial because I want the public to be able to see the seeds clearly so they can learn to identify them. I created a wire cage for each one, 50 in all and hung them between the struts with linen thread. I also attached some glass globes and green cans, which have holes in them to facilitate the daily rinsing of seeds for sprouting.

Traveling SeedBomb dress set up in Begovich Gallery

SeedBomb Teepee in the gallery

Teepee struts made of cedar

Sketch for the dress design

Hand painted canvas with Dandelion motif

Dandelion motif painted on skirt top

Seeds in glass vials with paper identification tags

making sprouts in glass globes hung in sisal mesh bags

Seed bombs make by workshop participants, filled with native California flower seeds

Agent SeedBomb in full regalia

The Green Mohawk

view inside the teepee

OC3 Challenge

Curator Emily Tyler and artist Nicole Dextras with the Nomadik Harvest Dress at OC3

I was invited by curator Emily Tyler to participate in the Orange County Great Park’s OC3 challenge exhibition with the installation of the Nomadik Harvest Dress. The theme for OC³ 2013 is Sun Soil City  was to inspire discussion relating to important topics of energy, agriculture, and community.  Fourteen curators from prestigious Orange County institutions have been invited to transform a designated space in the Great Park Gallery.  The challenge was simple — create a unique environment within the allotted space showcasing the work of one artist utilizing recycled or reused materials.

It was another road trip for the NHD as the yurt structure had to be strapped to the back of a pick up truck. Unfortunately LA does not offer any transportation options other than the highway! The Dress was set up in the gallery loaded up with vegetables and foraged edibles such as Purslane, Cholla buds and Rose Hips. The Urban Foragers video was installed beside the dress and played on a loop for the thousands of visitors who came by during the Energy Solar Decathlon 2013 and who voted for their favourite exhibit. Special thanks to Greg Pongetti, Nursery Manager at the Fullerton Arboretum for taking us foraging in the garden! The exhibition runs from September 15 – December 1, 2013

The website also has short videos of all the curator/artist teams.

Truckin’

signage outside the gallery in the Great Park

Curator Emily Tyler and artist Nicole Dextras with the Nomadik Harvest Dress at OC3

Emily and NIcole inside the NHD

Inside the Yurt skirt

Yes the Loofa you scrub with comes from a plant!

Purslane is an edible common weed.

Cholla Cactus buds, one of the NHD’s favourites!

Roses and their hips, the petals are edible and the hips are rich in Vitamin C

Rosemary and Amaranth

Eggplant fromt he Fullerton Arboretum

Peppers

Shallots

Chestnuts in their prickly state

Bay leaf plant

Agave leaves are hard to pick because they are so thick but also because of their sharp tips

Prickly Pears in their pockets!

The pot and cutting board with some extra veggies

Emily and Aaron in the Orange Hot Air Ballon. I stayed on the ground and rested in the shade!

StoreFront Video

I am happy to share with you a new short documentary about the StoreFront, objects of desire project at the Lansdowne Centre in Richmond BC by Michael Sider . This video captures the performance and audience engagement parts of the project as they occurred in the mall;  intersecting consumer culture and artistic interventions with gentle prodding and good humour. And of course the kids are so darned cute! Special thanks to Elisa Yon of the Richmond Public Art Program for supporting the creation of this video. Performers include, Nita Bowerman, Billy Marchenskie and myself. enjoy.

Extra D’extras MakeOvers

Madame Nicole aka Nicole Dextras gave free makeovers to shoppers as part of the StoreFront, objects of desire project at the Lansdowne Centre. Madame N was dressed in a white lad coat to emaulate the clean fresh authority of science of cosmetics and to mimic the free makeovers offered in shopping areas, which serve as a guise for selling products. Instead of makeup i applied flowers and leaves to embrace beauty plus the service was free with no strings attached. The intervention was staged in the middle of the atrium beside a white vanity with an ornate frame with no mirror. The participants ranged in age and cultural background, from shoppers to cleaning staff and it enabled intimate conversations and broke the new modern taboo of touching.  This work is based on the concept that adorning the body is a healthy and natural thing to do. Working with plant material allowed me to pay tribute to the many cultures past and present that practice the art of body adornment with botanicals. I hope continue to explore the modern implications of beauty and adornment in future works.

Silvia and Luane get the last makeover of the day and pose in front of the vanity

Madame Nicole sets up her free MakeOver station in the centre of the mall’s atrium

Unlike the cosmetics counter mine was filled with flowers and pruners.

Even Mall staff got into the action. I was so happy to brighten up her day.

Rose petal and leaf sleeve edging

Collar MakeOver with leaves and ferns

A natural beauty.

Did a whole family! Had to position the flowers so they would not interfere with their bike helmets as they were later going to the Lantern Festival.

Once she say her mum get a MakeOver she wanted one too.

A collar of red Heliconia flowers is a sure way to spruce up any black outfit.

Even men can enjoy MakeOvers

She said i could do something with her earrings, so i did!

The secret language of flowers

Sir William the Explorer

Sir William the Explorer is a new character that i have developed for the StoreFront, objects of desire project at the Lansdowne Centre. Sir William, played by actor/dancer Billy Marchenski appeared on July 14 looking to trade magic beans for gold. He asked people where he could find large trees to rebuild the mast of his ship as he has heard of the giant Douglas Fir trees on the West Coast that are big enough to make a large mast for a ship. His coat is made from Magnolia leaves and the braided trim is a Mongolian rope made from goat and horse hair. Front collar is made from Calla lilies and corn husk.

The jacket is made from Magnolia leaves attached to a framework of Seagrass decorated with a braid of Mongolian horse and goat rope, yellow Billy Button flowers, white Calla Lilies, Corn Husks and natural mesh. His hair is made from Sisal attached to a straw hat. The boot chaps are from the sleeves of an old leather jacket.

Sir William is woken from his centuries old sleep to find himself on display in the StoreFront, objects of desire window at Lansdowne Centre.

Escaping the confines of the retail experience he sets out to find a new mast for his ship and gold to bring back to his Queen.

Peering through his trusted telescope he spies the riches of this new world.

Magical beans are time honoured currency for the colonial subject.

A fair exchange is made, one magical bean for one magical blue transportation devise.

Investigating the many new medicines from the apothecary. Did he land in Asia by mistake instead of the western shores of the New World?

Fascinated by the maps on offer for his future travels. Unfortunately he does not find the root to his homeland marked on any of these but Palm Springs sounds intreging

Sir William discovers the Future and loves the wheeled basket

Sir William ventures outdoors to find the large trees he has heard about.

He does not find the large Douglas Firs that once covered this land and he realizes that they were all cut down hundreds of years ago.

He explains how big a tree would have to be at the base for it to be tall enough to make a mast for a ship.

Hopeful of having happened upon the site for buried treasure, he steps onto the X on this asphalt map.

2 Douglas Firs left standing as the new city of Vancouver encroaches. Man in the middle points to the scale of these massive trees.

StoreFront, objects of desire

StoreFront, objects of desire was  an installation at the Lansdowne Shopping Center in Richmond BC that blurred the line between consumer culture and art by displaying ephemeral objects in a retail window setting. Here dresses made from live flowers and shoes made of leaves are presented on mannequins as if for sale. By presenting simulated fashion articles within an existent shopping experience the viewer was confronted with having to negotiate the space between desire and ownership. I was on site at the mall periodically preening and adding new elements to the window displays. There were also public interventions in the shopping centre on weekends: The Mobile Garden Dress made a salad and shared it with the public, Sir William the Explorer went looking for gold and timber in the mall and Madame Nicole came out of her nearly 30 year retirement to do Extra D’Extras MakeOvers with shoppers.

StoreFront window display with signage

Dates: July 1st to the 31st, 2013
Location: Lansdowne Shopping Center in Richmond BC
Store #960, Kiosk Court, see directory here

This project was presented as part of the inaugural artist residency at the Lansdowne Shopping Centre and supported by the City of Richmond’s Public Art Program.

Lansdowne Centre
City of Richmond Public Art

 

StoreFront window display with signage

SF window with Little Green Dresses.

Side window display

Birch Shoes, Headdress, and armature in side windows.

The Magnolia Pubescence Ankle Boot: Magnolia Leaves, thorns, root and hair.

The Blackberry Platform Sandal: Blackberry vines, leather, Linen thread, thorns.

Birch Boots: Various barks, wooden Clog sole, paper, linen, wax thread and thumb tacks.

The Ash and Lychee Carry Bag: Ash Keys, Lychee skins, thorns, sisal.

Detail of Lychee skins attached to handle with thorns

Detail of Ash Keys

The Flared Eucalyptus Dress: Hydrangea flowers and leaves, purple Ligularia leaves and vines from my garden. The Eucalyptus leaves were scavenged from a florist’s left overs.

The Ash Key Ruff Dress: Ash Keys, Red Dates. Hydragena leaves, Ti leaves and varigated grass.

Close up of Ash Keys and Dates on a reed frame.

Each item in the window had a tag which listed the title and materials used.